Thursday, February 25, 2010
The Hey! Dancin'! Video Promo
Wednesday, February 24, 2010
The Insider: The Dance So Far
So, this Insider has so much to review. The cast is stunning. They blend and bond so well. I’m dumbfounded that we could assemble this much talent in one place and not have faces melt. If you think I exaggerate, I dare you to come see what this cast can do. What they’ve created so far on just a bare stage is captivating. I’m so damn thrilled with every single friggin one of them. We are fortunate to have this level of talent to help us produce this play.
Speaking of producing, I personally count my blessings with this production crew. Another amazing level of talent in each area. I’m fortunate to be surrounded by these fine, savvy technicians with mad skills. Their designs and dedicated work running the show will be a big piece of the spectacular dancing pie that the audience will eagerly devour. Based on the response from the rousing Launch Party at Chief O’Neill’s on February 18, we’ve got a show that will thrill. In short, I am really pleased with the process to this point.
So that’s the dance so far. Roaring with promise beyond my wildest expectations. We have a ways to go yet. There’s still a few weeks before the first preview. The cast is off book and will incorporate the choreography this week. The designers start their constructing, painting, recording, focusing, cueing, and fitting as we lead up to Load-In. We've got a lot of parts in place already. Still, many things could happen between now and when the first audience arrives. Tech week will be the usual marathon for everyone. For the cast and crew, I hope for nothing worse than soreness and fatigue from all this dancing and producing. I hope that everyone feels fulfilled in their work. I personally love watching every piece of this production machine go. With Superwoman Sarah Rose Graber steering the ship (one couldn’t ask for a better production partner), we can navigate through the choppy waters. I'm so grateful for the support from those around me in the production, both inside and outside the crew. I believe all the time, hard work, and sweet dance moves going into this production will be rewarded. For what it’s worth, I’m the show’s biggest groupie. I’m as excited to be backstage with these rock stars as the bubbliest teenager from the 80’s. Come and see for yourself.
PS: coming soon is a video promo for this show that’ll blow your leg warmers off. I’ll let you know where to find it as soon as it’s available.
Tuesday, February 9, 2010
The Cost Of Being Famous

(EDITOR'S NOTE: As we go full-steam ahead with rehearsals for Hey! Dancin'!, co-playwright Kirk Pynchon shares a particularly fond memory of the year 1986. Enjoy.)
During my junior year in high school I became famous…sort of. I auditioned and became a cast member of “Jet Set”, a local cable access show in Cleveland. Jet Set was a teen show, “produced for teens, by teens”, as the log line went. It was essentially an hour-long talk show where local teen athletes, musicians and honor roll students got interviewed ad nauseam, interspersed with bootlegged MTV videos of the hippest rock bands at the time (Mr. Mister, The Outfield, The Hooters). I was the co-host and VJ of Jet Set – and I thought I was the motherfucking bomb.
Post script: I recently dug out the video of my Jet Set appearances (which as a teenager I had labeled “Jet Set – The Best of Me”). I popped it into the VCR and watched my younger self for the first time in over twenty years. The cool, hip guy that I had imagined I always was had been replaced with an awkward, nervous and uncomfortable sixteen-year old with bad acne, even worse hair and a voice that sounded like a eunuch. Very sad.
Monday, February 1, 2010
Hey! Dancin'! Official Release.

Preview Weekend March 12th-14th Fri-Sat 8pm, Sun 7pm $10
Opening Night Friday March 19th 8pm.
Opening night Performance/Post-show party $25.
continuing Fridays & Saturdays at 8pm $20.00,
Sundays 7pm $15.00
Closes April 24th
All performances at Prop Thtr 3502 N. Elston Ave.
Chicago, IL. 60618
Tickets available by calling 866.811.4111 or at www.thefactorytheater.com
The year is 1986. The hair is big, the fashion is ridiculous, and dancing is king. The hottest dance show in Chicago rules the cable access airwaves -- and its name is Hey! Dancin'! It's the last show of the season, and the station manager is threatening to change the music format because the show has gotten "too black". Our heroine Halle Stanton, with the help of her slutty friend Trisha, finagle their way onto the show. Halle hopes to meet the show's Ray-Ban-wearing star -- Kenny Kaposki, better known as Double K. Will love blossom between the innocent Halle and the dance superstar Double K? Will the show survive the change of music from Cameo to Poison? And will Trisha have sex with the show's older (yet willing) host, Randy Massingill? Find out in Hey! Dancin'!
Featuring:
Esteban Andres Cruz, Catherine Dughi*, Dominique Johnson, Laura Korn, Anderson Lawfer, Aileen May, Melissa Nedell, Jill Oliver, Casey Pilkenton, Seth Remington, Sara Sevigny*, Frank R. Sjodin, Noah Simon, Anthony Tournis, and Jacob A. Ware
The Production Team:
Director- Sarah RoseGraber*
Writer- Mike Beyer*
Writer/Choreographer- Kirk Pynchon
Production Manager- Colin Milroy*
Assistant Director- Timothy C. Amos*
Stage Manager- Phil Claudnic*
Assitant Stage Manager- Jermaine Edward Thomas
Technical Director- Jim Moore
Set Designer- Angelina Martinez*
Lighting Designer- Shannon Evans
Costume Designer- Rachel Sypniewski
Sound Designer- Chas Vrba*
Props Mistress- Christine Jennings*
Graphic Designer- Jason Moody
*denotes Factory Member
Wednesday, January 20, 2010
Give the Factory a buck with igive.

If you want to help the Factory, but don't have the cash on hand, you can do it by signing up for the Factory igive page. No purchase required. Follow this link:
http://www.igive.com/welcome/warm_reg_promo.cfm?m=483623
Sign up, and we get a dollar. So easy, it's almost sick. The one caveat is it must be done by noon on Thursday (tomorrow) So don't delay.
Saturday, December 19, 2009
Closing Time...
Thursday, December 3, 2009
1985- Review from Gapers Block.
Chas Vrba's original script deftly combines the eerie, mind-controlled state of George Orwell's 1984 with the eerie, mind-controlled state of Chicago during the 1985Bears season run in this down-home, funny and thoroughly enjoyable production. Do yourself a favor and watch 1984 on Netflix before coming to the show -- at times the parody is shot-for-shot and line-for-line, with hilarious results.
Vrba not only wrote the script but portrays the lead character, Winston, with an Andy Richter-like boyishness that amps up the irony in the piece. With an outstanding supporting cast that includes Scott Oken as O'Brien, Ernie Deak as George Halas (aka Papa Bear), and Laura McKenzie as Julia, an evening spent watching 1985 is the perfect antidote to the onset of Chicago winter with it's bewilderingly early sunsets (4:20pm!), the forced gaiety of the holidays, and the Bears' current season.
Every detail is designed to transport the audience back 25 years, from the soundtrack -- featuring the likes of Wham and Howard Jones, to the hairdos and the fierce sports rivalries that will always define Chicago. The Factory's Elston Avenue ambiance and industrial rolling metal door that separates the theater space from the lobby adds to the experience of stepping into an alternate, Orwellian universe.
This is theater you can bring your husband to; my own theater-eschewing spouse, who has said things to me on the subject like: "I find theater extremely embarrassing," laughed as hard as anyone else in the audience, and spent the rest of the evening quoting favorite lines from the show. The Factory has been getting a lot of attention for this production, and for good reason -- I've seen a number of Factory shows and this is hands-down the best one so far.
Catch this show before it becomes a memory as distant as a Bears championship. Shows on Fridays, Saturdays and Sundays through December 19th. For tickets and information call (866) 811-4111 or visit The Factory Theater.
— J.H. Palmer