Showing posts with label Mike Beyer. Show all posts
Showing posts with label Mike Beyer. Show all posts

Tuesday, March 23, 2010

Factory Theater is a Goddamn Chicago Treasure

Check out TimeOut Chicago's Review of Hey! Dancin'!

May we all just take a moment and agree that the Factory Theater is a goddamn Chicago treasure? In the homeland of scrappy ensembles achieving longevity on their own DIY terms, the Factory’s 18-year run and uncompromisingly weirdo aesthetic deserve praise. There may be no other company that so shamelessly, and regularly, dials up to 11.

Hey! Dancin’!, the company’s latest, sounds nightmarish on paper. It’s 1986, and two silly girls sneak onto their favorite cable-access dance show to hook up with their dreamy guys of choice. The host is named after a douche, the middle-aged station manager is a pillow fetishist, and there’s a magical black girl sent by Prince to save us all. Factory member Beyer and former ensemble member Pynchon, who’ve separately penned multiple scripts for the company, push the ridiculous further than you’d think possible, taking a Saved by the Bell premise to a cocaine-punched conclusion.

First-time director Graber makes sure the plot moves but wisely focuses on the far funnier ’80s stereotypes trapped inside it. The cast is stellar, playing parodies of parodies. Catherine Dughi infuses wanna-be slut Trisha with precision ditziness, while Aileen May’s resident mean girl has a soul as acid-washed as her fringe jacket. Rachel Sypniewski’s costumes are both far too much and just right, down to the purple suede, red vinyl and $14 shades. What could have been a pop-reference death march is, in the Factory’s hands, cheap, relentless and hysterical.

Wednesday, February 24, 2010

The Insider: The Dance So Far

I positively crackle with excitement as I write this. It’s taken me a while to write about this next great Factory play and I have seen so much to like about the production during that time. The energies building around Factory’s production of Hey! Dancin'! for the past six weeks are hyper-electric. Watching everyone involved lower their heads and charge into the fun makes me giddy. The process cranked to an even higher notch when Chicago was graced by world class cable access chick magnet Kirk Pynchon this past weekend. Kirk dragged himself off the silicon-soaked, botox-infested breast of Los Angeles to make a spectacular return to Chicago and provide choreography for this swinging text he created with Mike Beyer. Based on the swoons of passion I’ve heard from the cast, Kirk’s visit was a resounding success. I can’t wait to see the results.

So, this Insider has so much to review. The cast is stunning. They blend and bond so well. I’m dumbfounded that we could assemble this much talent in one place and not have faces melt. If you think I exaggerate, I dare you to come see what this cast can do. What they’ve created so far on just a bare stage is captivating. I’m so damn thrilled with every single friggin one of them. We are fortunate to have this level of talent to help us produce this play.

Speaking of producing, I personally count my blessings with this production crew. Another amazing level of talent in each area. I’m fortunate to be surrounded by these fine, savvy technicians with mad skills. Their designs and dedicated work running the show will be a big piece of the spectacular dancing pie that the audience will eagerly devour. Based on the response from the rousing Launch Party at Chief O’Neill’s on February 18, we’ve got a show that will thrill. In short, I am really pleased with the process to this point.

So that’s the dance so far. Roaring with promise beyond my wildest expectations. We have a ways to go yet. There’s still a few weeks before the first preview. The cast is off book and will incorporate the choreography this week. The designers start their constructing, painting, recording, focusing, cueing, and fitting as we lead up to Load-In. We've got a lot of parts in place already. Still, many things could happen between now and when the first audience arrives. Tech week will be the usual marathon for everyone. For the cast and crew, I hope for nothing worse than soreness and fatigue from all this dancing and producing. I hope that everyone feels fulfilled in their work. I personally love watching every piece of this production machine go. With Superwoman Sarah Rose Graber steering the ship (one couldn’t ask for a better production partner), we can navigate through the choppy waters. I'm so grateful for the support from those around me in the production, both inside and outside the crew. I believe all the time, hard work, and sweet dance moves going into this production will be rewarded. For what it’s worth, I’m the show’s biggest groupie. I’m as excited to be backstage with these rock stars as the bubbliest teenager from the 80’s. Come and see for yourself.

PS: coming soon is a video promo for this show that’ll blow your leg warmers off. I’ll let you know where to find it as soon as it’s available.

Thursday, November 19, 2009

Audition Notice for Factory's Spring Show

Like REO says, keep on rollin'. 1985 is open to rave reviews and Hunky Dory is hot on its heels. Get your tickets for these fantastic shows! See them individually or take in a double feature! With these two terrific shows in full operation, the Factory rolls out auditions for Hey! Dancin!, the first show of the 2010 season.

Here's the official announcement:

The Factory Theater holds auditions for "Hey! Dancin'!" by Kirk Pynchon and Mike Beyer at the Prop Theater, 3504 N. Elston. Slots available on December 5 from 1:00 PM to 4:00 PM and December 6 from 12:00 PM to 3:00 PM. You will be asked to do a cold reading and to show us some of your dance moves. Looking for men and women from early 20's to late 40's who move, celebrate big hair and dig the 1980's music. The show runs March 12th-April 24th. Email headshot and resume to Producer Colin Milroy at colinmilroy@gmail.com. Further Factory information: www.thefactorytheater.com.

Send your stuff in for auditions. Come on out and play with us. We've had a gnarly Ensemble read-through already, playwrights Beyer and Pynchon worked hard sharpening this fine piece, and we will have a terrific show. Like Bono says, can't stop the dance.

Friday, October 2, 2009

Starting Steps

The first show of Factory Theater's 2010 season will be Hey! Dancin'! by Kirk Pynchon and Mike Beyer. Upon first reading, this play felt like a hilariously twisted take on Disney's High School Musical if it was set in 1986. There's much more to it, as will be seen (and heard) this weekend. On Sunday, the play will get its first reading for the ensemble to chew on. I expect ideas to fly and my perspectives to change after the reading and discussions. These are the first steps in the process; I'm excited to hear the collective ensemble gears turn as we develop this show.

Two ensemble members will be doing something different for the Hey! Dancin'! production crew. The sparkling Sarah Rose Graber will be directing a Factory show for the first time, and I will be producing a Factory show for the first time. We are neither of us green in these capacities, but this is our first time doing these jobs in the Factory uniform. We are wonderfully supported by a sturdy ensemble. I am pleased to put on this particular hat for the company and I'm eager to see what devious plans Sarah Rose has in store.

In the meantime, keep a lookout for 1985 updates. I expect DJ Chas to share more goodies as the November 6 previews rapidly approach. Bear down!